While the painting vacation was continuing, I had to think of more landscapes with a surprising element to paint. One thing that came up was a real memory of an Autumn leaf blown in front of the lens while we were making a picture of a group of buildings.
When I told our teacher and coach Ad van Aart that memory he suggested to make some thumbnail sketches first to find the best composition for this work. In these sketches I varied with the size and place of the city/village skyline, the size and place of the leaf and the filling of the shape of the leaf. We both thought that a big leaf, only outlined with the landscape still visible was the best composition.
I tested this in a larger drawing
using water soluble graphite in a very limited palette.
I went looking for a real leaf as big as I could find and that is the one I outlined in both the drawing and the painting. If a bigger leaf would have been found, I probably would have made the watercolour painting larger, now I adjusted the size of the paper to the size of the leaf - which is a maple leaf.
The information about the materials I used in both works, the sizes and availabilities of both works and - if you are interested in my original artworks - my contact information can all be found in my Tumblr blog.
No comments:
Post a Comment