Moselle Valley, walking - a charcoal drawing

 

Last Autumn we revisited the Moselle Valley and made some nice walks. This scene is from the 'Zitronenkrämerkreuz' walk starting in Ensch.

At some point we had to cross a small stream using a bridge that had seen better times. All was safe but we were extra careful.

I made pictures of the stairway/path back up the other bank of the stream to use as references for a drawing or painting.

Today I made that drawing, using Willow Charcoal end some of my Tinted charcoal pencils on a tinted paper.

The result is what I hoped for. Maybe I will use this reference picture another time, but for now I am happy with this result.

The information about the materials I have used, the size and availability of this work and - if you are interested in my original artwork - my contact information can all be found in my Flickr account.

Bindweed (Calystegia sepium) - a pencil drawing

 

These days the bindweed (Calystegia sepium) shows its white flowers everywhere in our neighbourhood and I made some reference pictures for a drawing.

Using my Drawing Pencils I had to find a way to show that the white of the flower is not so very white at all. Using light colours I shaped the flower and added the darker background later.

The colours of the flower are created by the shadows in the petals and the light on them. Not to forget the reflected colours of the grasses around it.

The information about the materials I have used, the size and availability of this drawing and - if you are interested in my original artwork - my contact information can all be found in my Flickr account.

Woodpecker - a pencil drawing

 

Today the prompt in the Sketch a Day app is 'peck' and after looking for some translations of the word I decided to draw a woodpecker. The translations were not inspiring and I am not the only one using a prompt like this.

I have gathered an 'archive' of magazine pages full of nature pictures, so after a search I found a picture of a juvenile great spotted woodpecker (Dendrocopos major) and used that one for my drawing.

At first I planned to use water soluble pencils, use water on the bird and add more layers of pencil, but changed my plan while working. This is only pencil, no water added. All pencils are water soluble but give enough colour to make a nice woodpecker on this tinted paper.

The information about the materials I have used, the size and availability of this work and - if you are interested in my original artwork - my contact information can all be found in my Flickr account.

Sunset fantasy

 

Today the prompt in the Sketch a Day app is 'bright' and that made me think about bright colours at sunset.

So I picked some colours (limited palettes always work nice) and started painting an imaginary sunset seen at the shore.

Of course there have to be clouds in the sky so I can paint the bright orange colour under the clouds, where the light of the setting sun touches them.

The dark foreground can be water or sand, that does not really matter. The whole scene is imaginary, painted for the atmosphere.

The information about the materials I have used, the size of this work and its availability and - if you are interested in my original artworks - my contact information can all be found in my Flickr account.

"Double Exposure" 2

 

After the first experiment with painting a 'double exposure' I wanted to explore the idea a bit further. This time I painted the addition to the landscape as my first layer and the landscape itself on top of that.

The idea of adding something to a ditch with pollard willows came up while talking about the first painting with the tree roots. What to add was the question and I decided on Goldfish.

So first I painted two fish swimming as the fish in my Zodiac sign swim.

After that dried I created an imaginary landscape with a ditch, pollard willows, bushes on the horizon and some structure in the grassland. Just like the Dutch 'polder' landscape I live in. This might be imaginary, this landscape is based on the views we have here, not far from where I live.

This was fun, the addition of the goldfish is not dominating the painting and that is what I wanted. To make a more equal 'double exposure' where the first image does not dominate the second or the other way around I need to experiment and practice a bit more. That is something to look forward to.

The information about the materials I have used, the size and availability of this work and - if you are interested in my original artwork - my contact information can all be found in my Flickr account.

"Double exposure"

 

Today's prompt in the Sketch a Day app is 'Double' and some of the inspirational images provided by the app are 'double exposures' in photographs and drawings.

That inspired me to do a double exposure my own way, using watercolour.

The first layer is an imaginary landscape, a forest path as we walk often when we are enjoying our beautiful Nature Reserves. The second layer is made after a reference picture I made of some tree roots showing in the sand path.

These two belong together, the root picture was made on a path very similar to the imaginary one I painted.

For the second layer I decided on a not so natural colour, a violet to make it stand out against the first layer. After making a large 'stain' of violet on my painting I started adding the shadows around the shapes of the roots with more of the same violet. 

I had thought I could let the violet flow a bit over the paper, but I should have done that as a first layer. Now I was having the risk that the first layer would disappear and add itself to the violet. Which was not what I wanted. 

This idea is nice enough to explore further and find the best way of doing this while experimenting.

The information about the materials I have used, the size and availability of this work and - if you are interested in my original artwork - my contact information can all be found in my Flickr account.

The path - a charcoal drawing

 

In the Sketch A Day app we can see the prompt and some inspirational images connected to the prompt for the next day, maybe to get inspiration overnight or to work in advance to post as early as possible. Most of the times I just try to find inspiration for an original approach  but this time I started my drawing in advance.

I have drawn an uneven, ragged wooden path over a marshy area in the landscape. The poles that keep the path high and dry can also be seen in the distance where the path curves to the right.

Where this path is bringing the walker is meant to be a mystery.

The information about the materials I have used, the size and availability of this work and - if you are interested in my original artwork - my contact information can all be found in my Tumblr blog.