Thursday, 3 December 2020

Sallandse Heuvelrug - Starry night

 


In my previous post I mentioned that I live in a built-up area and the sunsets can only be seen well from a high place. In the area where I live there also is always light, from homes, from street lanterns, from industry and we can even see light from greenhouses that are far away.

So a starry sky is not visible where I live, only the strongest, brightest stars can be seen in the right circumstances.

When we were on vacation, that 'light pollution' was far away and we did take the shortcut out of the vacation parc to stand on the road at the edge of the field to watch the stars a few times. Of course there were clouds and we were close to some trees, but I enjoyed the view very much. We did not take any photographs, so this painting is entirely from memory and imagination.

In my painting I have included some trees as they are in winter. These trees help the viewer to understand where up and down are in the painting.

The clouds are placed behind the trees - so these are visible - and the stars can be seen through a hole in the cloudy sky. I have used my memory and imagination for the stars and what is in the painting is not a real depiction of the starry night in my country.

For this painting I have used a black paper for my background and painted in white gouache.

The details about the materials I have used, the size and availability of this painting can be found in my Tumblr blog

Tuesday, 1 December 2020

Sallandse Heuvelrug - Sunset

 



During our short stay near our Natural reserve the 'Sallandse Heuvelrug' we walked to the vacation homes of our children for dinner at the time of sunset. One of these days we had a great sunset so we took a shortcut to a road outside the vacation area and stepped away from the trees to have a good view. My husband had the camera and he made some nice pictures.

Of course I wanted to paint this beautiful sunset and here is the result.

I have challenged myself by choosing Grain Torchon paper, which holds the water a bit longer than the Grain Fin paper I usually paint on. There were some clouds that looked great, so I had to paint them as well.

For the foreground I relied on my memory. A camera always gives a dark, almost black foreground when you make a sunset picture, while in reality there is a lot to be seen. In this case there were fields that were harvested recently, so we could see dark earth with some lines made by the machines.  For the painting I have changed that foreground a little bit.

The information about the paper and paints I have used, the size of this watercolour and the availability can all be found in my Tumblr blog

Tuesday, 24 November 2020

Itchy

 


While we were in our vacation home, I did already spend a rainy morning to draw one of the squirrels that came to eat the peanuts we put out on the table that was on the terrace.
Of course we made lots of reference pictures of the two (or more) squirrels eating and sitting on that table and one moment one of them got itchy.  Very itchy.

I made a picture as soon as I saw him scratching his chin (I think this was a 'he' because this was the biggest one), but his foot moved so quickly that the movement was still in the picture. 

Of course I wanted to draw or paint this little scene and I have chosen to draw first. I am not very experienced in painting or drawing animals so this is to get the shape of the squirrel right. For the drawing to be right, it must look like a squirrel and I had to practice that.
For this drawing I used a small size paper and my watercolour pencils and again I have layered the colours until I was happy with the result.

The information about the paper and pencils I have used, the size of my drawing and its availability can be found in my Tumblr blog 






Thursday, 19 November 2020

Sallandse Heuvelrug

 



At the end of one of our recent walks on the Natural Reserve 'Sallandse Heuvelrug' we saw a path that looked like it was constructed that very same day. Most of the times the paths in our nature have damaged sides, some bits seem to have been 'nibbled off' or bits of soil are on the path. Not to mention the uneven parts where tree roots have lifted the path up a bit.

This path was totally undamaged as far as we could see and that unusual sight was photographed by my husband. Looking at his picture, I decided to use part of it as a reference for a nice autumnal watercolour painting.

The light between the trees in the background was hazy, maybe because there had been rains in the morning and at the moment we walked there we had warm sunshine, so the moist from the morning was evaporating.

I have limited the colour scheme a bit, to match the leaves on the trees with the colours of the forest floor, some nice warm orange-browns and a bit of warm yellow.

The bench was there in the picture and I decided to paint it as well, the composition could do with some horizontal lines. Now the painting is finished I think the bench in that spot adds a touch of mystery. Who or what will come out of the misty forest to look at the resting wanderer?

The information about the paper and paints I have used, the size of this painting and its availability can all be found in the link at the 'Galerie' page of my website www.jannekesatelier.webs.com 


Sunday, 15 November 2020

The school mushroom

 



The name of this charcoal drawing comes from the place where my husband made the reference picture: the schoolyard of the primary school where he is a teacher.

The schoolyard has some areas with wood chips and in this time of the year there are lots of mushrooms growing there. Most of them are trampled by the playing children, but this one had a spot where it could grow a bit bigger. My husband spotted it and made a picture.

Of course I wanted to make a painting or drawing using that reference picture. As the mushroom is grey, I decided to make a charcoal drawing.

The wood chips and bamboo grass are only suggested, as the mushroom is my subject.

For this drawing I have chosen a small piece of paper, approximately size A4.

The information about the materials I have used, the (framed) size of my drawing and its availability can all be found in the link at the 'Galerie' page of my website www.jannekesatelier.webs.com 

Saturday, 14 November 2020

Orange Mushrooms

 



During our short vacation very close to our Natural reserve 'Sallandse Heuvelrug' we did go for a signposted walk every day and made lots of pictures - as I mentioned in earlier posts. Of course I made reference pictures of the mushrooms, there were some large groups of them on the forest ground and their colours were great.
These were bright orange against a brown forest floor filled with leaves, branches and dried pine needles so they did stand out very nicely.

For my watercolour painting I have rearranged the mushrooms a bit to make a good composition. The forest ground is a bit different as well - for the same reason.

I started my painting with a background in orange shades and added salt for structure. 
When all was dry, I started placing the mushrooms, using my reference picture for the shapes. The forest floor was only suggested, it would take too much attention if I painted all those little details.
Later I decided to add the same greyish blue in the background that is also used in the colours of the foreground.

Of course I could have added much more of the mushrooms, but this was a relatively small but bright coloured group (I have seen much larger groups during our walks) so I have made my composition with those that were in my reference picture.

The information about the paper and paints I have used for this watercolour painting, its size and availability can all be found in the link at the 'Galerie' page of my website www.jannekesatelier.webs.com 

Monday, 9 November 2020

Yellow mushrooms

 



This November the challenge of 'Goed Gezien-Goed Bekeken' is 'Colour in Nature' and with autumn at its end we surely have had more than enough colour in nature to inspire us. 

But when do you really get inspired by colours in nature? When they stand out against a contrasting background of course, so I chose to make a painting after some pictures my husband made during our last walk on the Sallandse Heuvelrug a few weeks ago.

On some chunks of grey bark that were stacked close to the path grew some very orange-yellow mushrooms and they did stand out beautifully. The hoods were cracked, so a light yellow colour was shining through at some places and even before the challenge was published I knew I wanted to paint these mushrooms.

For my watercolour I chose to leave out all the distracting details of the tree bark and lay emphasis on the mushrooms as they were my subject.

The structure of the bark is still suggested by changes in colour and some lines where the shadows were and depth is created by adding some warm colours to the pieces of bark in the foreground. This was a bit of a challenge, because the whole scene has not more depth than thirty or forty centimetres. 

Once again I have tried to find the name of the mushrooms and failed.

The information about the paper and paints I have used, the size and availability of this painting can all be found in the link at the 'Galerie' page of my website www.jannekesatelier.webs.com