Tree trunk, Sonnenberg - a Conté drawing

 

On the last day in Sonnenberg (Leiwen, Germany) we walked towards the Fünfseenblick in the morning. The walk was a nice one with lots of forest areas to give us shadow while walking. Where there are trees, there are also tree trunks, fallen trees and fallen branches.

Of course I could not stand still to make pictures of them all, but I did make a reference picture of a tree trunk that was partially in bright sunlight.

Today I made a Conté drawing of that dead tree, maybe in the (near) future I will also make a watercolour painting using the same reference picture.

The information about the materials I have used, the size of this drawing, its availability and my contact information can all be found in my Tumblr blog.

Boomstronk - Conté tekening

 

This is not the first dead tree or tree trunk I have been drawing and it is not the last either. I like the idea of finding as much details in a dead tree trunk as possible and trying to draw them all. Of course I cannot draw all details on such a small sheet of paper - compared to the original tree trunk - but suggesting them in a credible way is good enough for me. Just for the fun of it and while doing this I am also improving my skills.

We (my husband and me) like to make a short walk in the weekend when the weather allows it - and of course only when we did not have the time to go for a longer walk in one of our beautiful Nature Reserves. During one of these walks I saw this dead tree trunk and made some reference pictures.

The drawing is made with Conté Sketching Crayons on grey paper, I often use these materials for dead trees or tree trunks.

The complete information about the materials I have used, the size and availability of this work and my contact information can all be found in my Tumblr blog.

Wet tree

 

In my previous post I wrote about the drawing workshop session I attended in the garden of the Dordrechts Museum where I got inspired by the water patterns on a tree trunk.

During that workshop session I made a reference picture, a sketch and an ink painting.

This time I used my sketch as a reference for a watercolour painting and maybe I will also be working from the picture. In the post about the ink painting I wrote about the weather, that there was limited time to complete my sketch, but that the composition in the sketch was interesting (lots of empty paper). The ink painting did not have these bits of empty paper - which does not make it a bad painting but it did not turn out as planned.

So today another try, using the sketch as my reference. Using watercolour and small brushes the fine lines of the water running down the tree trunk are easy to paint. 

The more horizontal lines - also wet with water and showing a lot of the structure of the tree bark - are again a challenge. When to stop? The reference sketch is good, but much more grey on white, this watercolour is much darker, giving much more contrast in the values of the painting. So I ended up adding more lines and some extra colour in the tree trunk to make the painting more balanced.

Again I had difficulties making a 'good' painting from a good (balanced) sketch and this will not be the last time this happens to me. Over the past years this happened more than once and I expect I will also have these 'problems' in the future. Well, this kind of trial and error are the best learning moments so they are good for me - a bit frustrating but good.

The information about the materials I have used, the size of this painting and its availability can all be found in my Tumblr blog.

Tree trunk - a Conté drawing

 

As promised (mostly to myself) another drawing of the tree trunk we saw a few weeks ago during our walk on the Herikerberg. At first I made a pencil drawing or study, using the materials I brought during our short stay in the area.

This time a Conté drawing, like I have made some more: using black, grey and white Conté crayons on a grey paper for a 'portrait' of a dead tree or tree trunk.

For this drawing I made a different composition, the trunk is more to the right side of the paper so the roots on the left side of the trunk get more attention. Only the tree trunk is in the drawing, the surrounding mosses and dry autumn leaves are not here. This tree trunk was in the middle of the path we were walking and maybe that is how the roots are so clearly visible.

The drawing is what I hoped it would be, these remains of trees are still impressive and I can show that in my drawing.

The information about the materials I have used, the size of this drawing and its availability can all be found in my Tumblr blog.

Tree trunk - pencil drawing/study

 

This week we (my husband and me) went for a walk near Markelo (Netherlands) and we made several reference pictures of the landscape. My pictures are mostly showing trees, including this tree trunk, in the middle of the path. We stayed a few nights in a hotel and I did only bring paper and pencils with me - and a water brush for extra possibilities.

The tree trunk was partially overgrown with mosses and there were the remains of autumn leaves on the trunk and on the path. The roots were visible between the autumn leaves, very dark brown because it had rained during the night.

For the drawing I chose my Graphitint Pencils, using the dry colours but also adding some water which activated the colours that are 'hidden' in the dry pencil marks. The water was mostly used on the areas with mosses and the remains of the autumn leaves. 

After I had used the water and activated the colours, I let the drawing dry and added more dry colour, repeating the process until I was happy with the result.

The reference picture is still inviting me to try this subject using other materials, so this might not be the last time you see this tree trunk in my works.

The information about the materials I have used, the size of this drawing and its availability can all be found in my Tumblr blog. If you are interested in my original artworks, please contact me.

Dead tree, Kalmthoutse Heide - Conté drawing

 

Last weekend we were walking another signposted walk in 'Grenspark Kalmthoutse Heide', a Natural Reserve that is in Belgium and The Netherlands. Border-crossing nature it is called and we love to go there for a walk. 

This time we had a walk in a woodland area that is on the edge of the moorland (heide) that gives the Natural Reserve its name. Under the trees we had a nice cool walk with some great views. The reference pictures I made there will be used for watercolour paintings. 

This area has a lot of dead trees in it, either because of the fire that destroyed a part of the nature several years ago or because the trees just die and are left in the area to provide food for insects - who attract birds, who attract predators, etc.

This tree stump was standing in an empty field beside the path and I just wanted to draw it. So the picture was made and the drawing as well. Because this stump really is very dead, I used grey paper and the corresponding colour combination.  As written before, I have selected colour combination for dead trees and another combination for the living ones.

The information about the materials I have used, the size of this drawing and its availability can all be found in my Tumblr blog. 

If you are interested in my art, please contact me.

Dead Tree (another one) - a Conté drawing

 

This week we were in the North of Belgium again, for a nice walk on the Kalmthoutse Heide. That Natural Reserve is always worth the time for a walk, every season is different. We have made these signposted walks several times, sometimes clockwise, sometimes anti-clockwise and now I try to make reference pictures of the details of the landscape. The wide views don't change that much over the years.

This time we passed by several dead trees, many of them not really good for a picture, but in a bend in the path we found this one. Very dead for a long time and filled with small holes made by birds or insects. The bark was mostly gone and only some beginnings of branches could be seen. The rest of the branches were sawn off, probably for the safety of the walkers.

Again I chose my new grey paper and some Conté Sketching Crayons for the drawing, the last time I used these together I was really happy while working on the drawing and the result was better than I hoped for. So I wanted to draw a second dead tree using the same materials and I was not disappointed. Again the result is better than I hoped for so more dead trees, tree trunks or stumps will follow and I hope to get better with every drawing I make.

The information about the materials I have used, the size of this drawing and its availability can all be found in my Tumblr blog.

Tree trunk on the estate 'Huis ter Heide' - charcoal drawing

Last week we had a few days of really nice, warm weather and my husband and me also had some days free from work. So we enjoyed a wonderful day outdoors, walking in our beautiful nature. We revisited the Estate 'Huis ter Heide' and made another signposted walk. The landscape varied from fields to woodland and a bit of moorland, all during a walk of 6 kilometres.
Now it is the end of winter and after those warm days there is a little beginning of spring, but almost all the trees were still bare and there were as good as no flowers. We did see an early butterfly and heard lots of birds singing.

Amongst the reference pictures we made that day are a few of this dead tree trunk, beautifully lighted by the sun. Of course this one inspired me and I have made a charcoal drawing as soon as possible.

These last weeks we have been at work in our home, so I have been painting walls, doors and the sides of the stairs, they all needed some attention after all those years we are living in this house. 
That is the reason why I have not been doing much watercolours or drawings and after all those weeks I really wanted to go back to my studio for some artwork.

In a previous post I have written about the policy of our Nature Preserve association to let dead trees stand where they are, so I will not explain that again in this post.

This tree looked almost white with some dark shadows and crevices so I had something nice to draw. As it stands in the middle of some undergrowth I had some trouble to make my reference pictures and of course I had to include that in my drawing.

This drawing is what I thought it would be so I am really happy with the result.

More information (size, availability, contact information, etc) can be found at my website www.jannekesatelier.webs.com 

After the storm

A walk in Natural Reserve 'De Biesbosch', close to my home is always nice. This time we  saw this broken tree trunk, a left-over after a storm.
I used the pictures we made for a watercolour painting, concentrating on atmosphere, following the advice that was given to me during my painting vacation.

I have painted most of this painting in the wet-in-wet technique, layering paint to make the shadows deeper. The trees in the background are only suggested now and the field has only a few shadows to suggest different grasses.
The broken tree is the last thing I have painted, taking care to suggest (not to show) most of the details.

All of this looks easier than it is, layering dark colours is something that needs to be done with great care; a bit too much water in the brush and all previous layers will disappear.
The structures in the trees and bushes were shaped by paint and water, a result that cannot be reproduced. 
It really is an exciting experience when this happens the 'right' way. 

The next weeks, months, years I will practise this technique as much as possible, mostly because I do love the paintings I get in this way.

More information about this watercolour painting (materials used, size, availability, contact information, etc) can be found at my website www.jannekesatelier.webs.com 

Mushrooms on a tree trunk

Autumn is the time of the mushroom, so on our short trip to the National Reserve of the Veluwe my daughter collected mushrooms - with her camera.
She made lots of pictures of beautiful mushrooms but this one wanted to be painted first.
The little mushrooms grow out of a tree trunk on a spot without bark. As I wanted to draw the attention to the mushrooms, I did not paint all the details of the wood and the resin but just hinted at the colours of the mushroom's background. I made use of masking fluid to keep the shapes of the mushrooms as I had been drawing them on my paper and after removing the mask I painted the details of the mushrooms.
Unfortunately it is not easy to determine the species of mushroom I painted...

More information about this painting (colours used, size, etc) can be found at my website www.jannekesatelier.co.nr